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A new, heavily advertised program debuting tomorrow (January 1) on Nickelodeon will introduce American children to a Harry Potter-like hit show from Belgian called “The House of Anubis.”  Occult Themes.  From watching the video trailer for the new TV show, it is very obvious that the producers are cashing in on the blockbuster success of the J.K. Rowling novels. It also further illustrates the fascination and affinity the world is showing for entertainment which promotes ungodly supernaturalism.  Anubis was not just a god of the dead, but he was a warrior god who opened the way to victory for the pharaoh. The ‘Opener of the Ways’ helped Anubis to guide the dead to the Halls of Ma’ati. It was here that Anubis, as ‘He Who Counts the Hearts’, watched over of the weighing of the heart and the judging of the deceased. 

House of Anubis Occult Themes

Beware of New Nickelodeon Show Take a Stand Ministries

By Eric Barger

 

At very least “The House of Anubis” glorifies its namesake –  “a jackal-headed god associated with mummification and the afterlife in Egyptian mythology.” In occult circles, Anubis is known as one of the most powerful demonic deities. I wrote about this is the updated version of my book (with David Benoit) Entertaining Spirits Unaware: The End-Time Occult Invasion. (See: http://www.ericbarger.com/esu.htm) This is just another step in the desensitization process of our society (and out children). Our world is now viewing the occult as “normal” – a certain sign of the End-Days.

Here is the question: Is this what we’re going to trust the hearts and minds of our children to? If Christians reading this don’t think God is completely serious about the occult and that it matters little if our kids watch stuff (even fictional) related to the occult, then please read Deuteronomy 18:9-13 and then Hosea 4:6 for starters.

When thou art come into the land which the LORD thy God giveth thee, thou shalt not learn to do after the abominations of those nations. There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch, Or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer. For all that do these things are an abomination unto the LORD: and because of these abominations the LORD thy God doth drive them out from before thee. Thou shalt be perfect with the LORD thy God.

– Deut 18:9-13

My people are destroyed for lack of knowledge: because thou hast rejected knowledge, I will also reject thee, that thou shalt be no priest to me: seeing thou hast forgotten the law of thy God, I will also forget thy children.

– Hosea 4:6

God’s standards MUST be ours if we desire His blessings and protection. Regardless of what the world follows after, our task is to follow after Jesus and lovingly warn others to do the same. I suggest we be noisy in our disagreement with Nickelodeon’s decision to offer our kids a program named for one of the most heinous false gods.

It clear occult connection to lead people (children) to a Christless eternity in hell… Gaurd your heart.

House of ANUBIS

Egypt: Anubis, God of Embalming and Guide and Friend of the Dead

Other Names: Anpu, Inpu, Ienpw, Imeut (Lord-of-the-Place-of-Embalming).

Patron of: mummification, and the dead on their path through the underworld.

Appearance: A man with the head of a jackal-like animal. Unlike a real jackal, Anubis’ head is black, representing his position as a god of the dead. He is rarely shown fully-human, but he is depicted so in the Temple of Abydos of Rameses II. There is a beautiful statue of him as a full jackal in the tomb of Tutankhamun.

Description: Anubis is an incredibly ancient god, and was the original god of the dead before Osiris “took over” the position. After that point, Anubis was changed to be one of the many sons of Osiris and the psychopomp (conductor of souls) of the underworld. His totem of the jackal is probably due to the fact that jackals would hunt at the edges of the desert, near the necropolis and cemeteries throughout Egypt.

Prayers to Anubis are found carved on the most ancient tombs in Egypt, and his duties apparently are many. He watches over the mummification process to ensure that all is done properly. He conducts the souls through the underworld, testing their knowledge of the gods and their faith. He places their heart on the Scales of Justice during the Judging of the Heart, and he feeds the souls of wicked people to Ammit.

In some stories, Anubis is the son of Ra and Nephthys, or Set and Nephthys (probably due to Set and Anubis having the same totem animal). Some have Heset as his mother, and still others say Bast. This apparent confusion is still another sign of Anubis’ origins in the most ancient of times. He also has a daughter, Kabechet, who helps him in the mummification.

Worship: Worshipped widely throughout all of Egypt, his cult center was Cynopolis.

Variants:

Hermanubis
A combination of the Greek god Hermes and Anubis. As their functions as psychopomps were similar, they were combined by the Greeks into a single form. Hermanubis also appears in alchemical and hermetical literature of the Middle Ages and the Renaissance.

Anubis (Inpew, Yinepu, Anpu) was an ancient Egyptian god of the underworld who guided and protected the spirits of the dead. He was known as the ‘Lord of the Hallowed Land’ – the necropolis – and Khenty Amentiu, ‘Foremost of the Westerners’ – the Land of the Dead was thought to be to the west, where the Egyptians buried their dead. (Khenty Amentiu was the name of a previous canine deity who was superseded by Anubis.) The worship of Anubis was an ancient one – it was probably even older than the worship of Osiris. In the pyramid texts of Unas, his role was already very clear – he was associated with the Eye of Horus and he was already thought to be the guide of the dead in the afterlife, showing them the way to Osiris. In the text, it was written that “Unas standeth with the Spirits, get thee onwards, Anubis, into Amenti, onwards, onwards to Osiris.”

He was generally depicted as a black jackal-headed man, or as a black jackal. The Egyptians would have noticed the jackals prowling around the graveyards, and so the link between the animal and the dead was formed in their minds. (It has been noticed by Flinders Petrie that the best guides to Egyptian tombs are the jackal-trails.) Anubis was painted black to further link him with the deceased – a body that has been embalmed became a pitch black color. Black was also the color of fertility, and thus linked to death and rebirth in the afterlife. Anubis was also seen as the deity of embalming, as well as a god of the dead. To the Egyptians, Anubis was the protector of embalming and guardian of both the mummy and the necropolis.

Anubis was often identified by the word sab, ‘jackal’ rather than ‘dog’ (iwiw). Though to the Egyptians there was not a great deal of difference between the two canines, so there is some confusion over which animal Anubis actually was. The animal is sometimes referred to as the ‘Anubis animal’ as it is unknown which exact species of canine that Anubis actually was based on.

When the Osiris worship came to power, Osiris took over many of Anubis’ jobs as caretaker and protector of the dead. As this happened, Anubis became ‘He Who is Before the Divine Booth’, the god of embalming who presided over the funerary rituals. The funerary stm priests  would wear a mask of the jackal god during the mummification process, symbolically becoming the god for the rituals.

The preliminary stages of mummification involved the opening – the violation – of the body, an action that only Anubis himself would have been allowed to perform. The priest who took on this role was called the ‘Overseer of the Mysteries’ (hery seshta). It was thought that he would be magically become the funerary god himself and so be able to legitimately cut open the corpse for the mummification process.

He is sometimes called the son of Nephthys and Set or of Nephthys and Osiris. In one train of thought, it was believed that Isis raised him, as Set might murder his wife’s illegitimate son, and so he grew up a friend and follower of Osiris. He was thought to have a daughter known as Kebechet (Kabechet, Kebehut), who was depicted as a snake or ostrich carrying water. She was the goddess of freshness and purification through water who washed the entrails of the deceased and brought the sacred water to Anubis for his tasks. She was thought to give water to the spirits of the dead while they waited for the mummification process to be complete. She was probably related to mummification where she would fortify the body against corruption, so it would stay fresh for reanimation by the deceased’s ka.

It was believed that Anubis was the one who invented the process of mummification. Anubis helped Isis bring her husband back to life again after Set had killed him. He embalmed the body of the god, swathed it in the linen cloths that had been woven by the twin goddesses, Isis and Nephthys, making sure that the body would never decay or rot.

The wakening of the dead was also thought to be a function of Anubis. He would appear by the mummy, and awaken the soul. The mummy was removed from the sarcophagus when it arrived at the door of the tomb and was placed upright against the wall by a priest wearing the mask of Anubis, thought to have become the god himself. The ‘Opening of the Mouth’ ceremony was then performed. It consisted of a number of rituals that would turn the mummy (or a statue of the dead) into an inhabitable vessel for the deceased’s ka. The ceremonies involved purification, sensing and anointing of the mummy along with incantations. The mummy was touched by ritual objects on various body parts to restore the senses – the spirit would then be able to see, hear, speak and eat as a living being. Some of the tools for this ritual have been found in predynastic Amratian graves, so it is probable that at least some of the rituals involved in the ‘Opening of the Mouth’ had evolved from this early time.

After the deceased had been placed into the tomb and sealed up, it was thought that Anubis would lead the deceased to the afterlife, along with another god, Wepwawet (Upuaut). The two are very similar, though Wepwawet was also another ancient jackal or wolf god, appearing on the Narmer palette. He was not just a god of the dead, but he was a warrior god who opened the way to victory for the pharaoh. The ‘Opener of the Ways’ helped Anubis to guide the dead to the Halls of Ma’ati. It was here that Anubis, as ‘He Who Counts the Hearts’, watched over of the weighing of the heart and the judging of the deceased. Here it was his duty to see that the beam of the scales was in its proper place, and that the weighing was done correctly. He would then pass judgment on the deceased and Thoth would record the pronouncement. Anubis would protect the innocent from the jaws of Ammut, but would give the guilty to her to meet the final death.

According to E.A. Wallis Budge in The Gods of the Egyptians Anubis shared the duty of guiding the dead through the afterlife with another jackal-headed god … “Opener of the Ways”). These two gods both “opened the ways”, although Anubis was the opener of the roads of the North and Wapwawet the opener of the roads to the South. Budge goes on to say that Anubis was the personification of the summer solstice, and Wapwawet of the winter solstice.

A strange fetish, known as the imiut fetish, was linked to Anubis. It was a headless stuffed skin (usually of a great feline), tied by its tail to a pole which was planted in a pot. Known as the ‘Son of the hesat-Cow’ (the cow that produced the Mnevis bull was linked to the cow goddess Hesat), another title of Anubis, they is evidence of this fetish as early as the 1st Dynasty. They were linked to the funerary cult, depicted in the Chapel of Anubis at Hatshepsut’s mortuary temple and actual golden fetishes being left in the tomb of Tutankhamen. These emblems of Anubis were placed at the western ends of the corridors, one on each side of the outermost shrine at Tutankhamen’s tomb. The pots were made of Egyptian ‘alabaster’ and the poles represented the water lily water lily (lotus) stem and bud while the tip of the skin’s tail had a papyrus flower attached and the pole and fetish itself were gilded. Other fetishes have been found made of real animal skin that have been wrapped in bandages. In early times there was a god, Imiut, who was known as ‘He Who is in His Wrappings’ who became a form of Anubis. The fetish was probably linked with mummy wrappings though it also appears to have been related to the royal jubilee festival.

Anubis the Dweller in the Mummy Chamber, Governor of the Divine House … saith:- Homage to thee, thou happy one, lord! Thou seest the Utchat. Ptah-Seker hath bound thee up. Anubis hath exalted thee. Shu hath raised thee up, O Beautiful Face, thou governor of eternity. Thou hast thine eye, O scribe Nebseni, lord of fealty, and it is beautiful. Thy right eye is like the Sektet Boat, thy left eye is like the Atet Boat. Thine eyebrows are fair to see in the presence of the Company of the Gods. Thy brow is under the protection of Anubis, and thy head and face, O beautiful one, are before the holy Hawk. Thy fingers have been stablished by thy scribe’s craft in the presence of the Lord of Khemenu, Thoth, who hath bestowed upon thee the knowledge of the speech of the holy books. Thy beard is beautiful in the sight of Ptah-Seker, and thou, O scribe Nebseni, thou lord of fealty, art beautiful before the Great Company of the Gods. The Great God looketh upon thee, and he leadeth thee along the path of happiness. Sepulchral meals are bestowed upon thee, and he overthroweth for thee thine enemies, setting them under thy feet in the presence of the Great Company of the Gods who dwell in the House of the Great Aged One which is in Anu.

— The Speech of Anubis from the Papyrus of Nu and the Papyrus of Nebseni

Nickelodeon’s hit T.V show called, “House of Anubis,” already airing in many European countries is due to air in the United States and Canada in January 2011. An official trailer has been released and, its occult symbolism is so blatantly obvious to us viewers.

 

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